Astronaut Chris Galland and crew convince savage tribes of post-apocalyptic humans to unite against the “blood-sucking dome dwellers.” Not original and poorly scripted, this Atlas (Seaboard) comic from John Albano, Pat Broderick and Frank McLaughlin is still a lot of fun.
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A crew of astronauts returns to find a ravaged Earth split between two groups – human savages and high-tech vampires! This debut issue of Larry Hama’s dystopic future lacks spark, but the art by Pat Broderick and Frank McLaughlin is a strong draw.
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A local police chief wants the Brute dead. Wait. No. No, he doesn’t. Oh. Stop. Yes, he does. Also: supervillain. This final issue is a mess of stereotypes masquerading as a story, from the team of Gary Friedrich, Alan Weiss and Jack Abel.
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When the Society to Outlaw Parent Power takes Gotham hostage with an A-bomb, Batman calls the Teen Titans for help. Writer Bob Haney goes for relevant but ends up with zany, while receiving some solid art support from Nick Cardy.
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Spider-Man takes the month off as the Human Torch and Hulk team to stop a revenge plot that involves bringing back Blastaar. A fairly weak story by Len Wein gets a major assist from the strong pencils of Gil Kane.
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Scientists from the future send a “murdermek” back to 20th-century Metropolis in an effort to stop OMAC from being born. This story from Len Wein, George Pérez and Pablo Marcos shares DNA with “The Terminator” – a full year before that classic movie’s debut.
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Tigra recruits the Thing’s help in her battle against a “null-band”-empowered villain known as the Cougar. An utterly average, mid-Bronze-Age outing from the creative team of Bill Mantlo, Sal Buscema and Don Heck.
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When Bruce Wayne becomes the target of a murderous race-car driver, Batman takes the wheel – with an assist from Diana Prince. This Mike Sekowsky story hasn’t aged well, but it’s still fun as a product of its time.
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A primitive man searches for food – and meaning – with the help of his good friend, Stick. This simple story from underground legend Vaughn Bodé is an early masterpiece of the graphic-novel form.
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Saturn Girl gives birth while engulfed in a magical darkness; everything goes well with the delivery … or does it? Despite a strong story, this annual is ultimately a subpar outing from Paul Levitz and Keith Giffen (with art by Curt Swan).
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