Under the influence of Crossfire’s Undertaker Machine, Hawkeye and Mockingbird are soon forced to battle each other to the death. A surprise conclusion helps, but, ultimately, Mark Gruenwald’s auteur opus fails to meet its lofty aspirations.
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Now broke and homeless, Hawkeye and Mockingbird continue to come under attack from hired guns sent by Cross Technological Enterprises. Writer/artist Mark Gruenwald serves up some weak villains and a bland story for this miniseries’ penultimate issue.
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Hawkeye teams with Mockingbird to strike back at Cross Technological Enterprises, and soon finds himself a target of the Silencer. A competent-but-flat chapter of the Hawkeye story from the team of Mark Gruenwald and Brett Breeding.
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Hawkeye has a great new job and a lady friend, too. Time for the proverbial wheels to come off the rocket-sled! The longtime Avenger steps out in this solo outing written and penciled by Mark Gruenwald, and embellished by Brett Breeding.
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Hawkeye takes a new job as a security chief at Cross Technological Enterprises and soon tangles with Deathbird. Despite strong art from John Byrne and Dan Green, this issue’s misogynistic tone is largely incompatible with today’s social norms.
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When Green Lantern and Green Arrow encounter an eco-activist/terrorist named Isaac, both heroes learn a lesson about blind faith. Neal Adams art is excellent, but Denny O’Neil’s script lacks subtlety.
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When Storm Shadow kidnaps Scarlett, Snake Eyes mounts a daring – and silent – solo rescue mission. A surprising, silent gem from the team of Larry Hama, Steve Leialoha and colorist George Roussos.
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Superman finds himself going toe to toe with Captain Thunder, a Captain Marvel analogue turned inexplicably evil. This outing from Elliot S. Maggin, Curt Swan and Bob Oksner never quite escapes its own oddness.
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Cosmic rays give birth to a team of heroes known as the Fantastic Four: Big Brain, Dragonfly, Mandroid and Ultra-Woman! Roy Thomas is at the helm of this excellent alternate-universe take on Marvel’s first family.
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Intent on tracking down his own killer, Deadman learns a lesson about the cost of vengeance from the Phantom Stranger. A fairly weak story from Arnold Drake gets a nice boost from an early effort by artist Mike Grell.
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