Tarzan travels to America to reunite with his lost love, Jane – but will he arrive too late? The fitting final chapter of Joe Kubert’s excellent adaptation of Edgar Rice Burroughs’ Tarzan of the Apes.
READTarzan becomes king of the apes, but realizes he’s a man. More humans – including Jane – come to the jungle. The pacing on this third DC issue is a little off, but, overall, Joe Kubert delivers another excellent issue.
READEducator T. Andrew Wahl’s popular comics-studies class is being offered again by Everett Community College. Registration for the five-credit, online course is open now, with the class set to start July 6.
READJoe Kubert’s adaptation of Edgar Rice Burroughs’ “Tarzan the Ape Man” is a tour de force, and Gray Marrow chips in with nice art on the John Carter backup feature.
READMarooned in the jungle, the doomed Greystokes give birth to a son who is eventually raised by apes. Inspired work from Joe Kubert, along with nice Murphy Anderson art on the John Carter backup, make for a stellar DC debut.
READThe Doomsday +1 team ventures to what appears to be an other-dimensional paradise – but a dystopian underbelly lurks. Joe Gill and John Byrne’s initial six-issue run of Doomsday +1 fizzles at the finish line.
READThe Doomsday +1 team continues to look for other survivors – only to find themselves fighting for their lives once again! A subpar outing from the creative team of Joe Gill and John “Byrne Robotics” Byrne.
READThe team tracks a radio signal to Vancouver, where they discover warring races of secret, underwater humanoids! Unclear storytelling by Joe GIll and John Byrne results in a mixed bag of Bronze Age fun.
READGiant cyborgs charged with maintaining galactic peace come to investigate the Earth – and initially find humanity wanting. Borrowing heavily from other sci-fi stories, this outing from Joe Gill and a young John Byrne still offers some fun.
READA murderous cyborg sends a robot army after three astronaut survivors of the nuclear apocalypse, and their thawed-out, ancient friend. A so-so story and energetic early art from a young John Byrne add up to a lot of fun.
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