Power Man, Iron Fist and Machine Man scramble to recover a computer “super-circuit” stolen by the Hulk. A ho-hum affair by Roger Stern, Herb Trimpe and a host of inkers.
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Clea’s efforts to reveal the Defender’s past to Valkyrie reintroduces the team to past perils. This Giant-Size outing features classic Golden and Silver age work from the likes of Stan Lee, Jack Kirby, Bill Everett and Steve Ditko, along with a gorgeous framing sequence penciled by Jim Starlin.
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As Captain America lies dying, the rest of the Avengers find themselves the target of the Assassin’s evil plot. Tony Isabella brings his unexpectedly strong two-parter to a surprise conclusion (or two), with less-than-sterling art (mostly) from Don Heck.
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Morbius and the Thing go from fighting each other to tangling with the Living Eraser, winding up in Dimension Z. All told, a pretty awful outing from Bill Mantlo, Arvell Jones and Dick Giordano.
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Returning to Earth to save the universe, the Thing squares off with the Hulk while Doctor Strange battles Xandu. A lackluster story and inconsistent art from Bronze Age legend Jim Starlin sees this issue falling short.
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The Thing crosses through a interdimensional doorway to free Doctor Strange, who had been imprisoned by Xandu. A less-than-inspired outing from legendary Bronze Age innovator Jim Starlin, with inking from Marvel Fanfare editor Al Milgrom.
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Ulysses Solomon “U.S.” Archer sets out with his CB-radio skull replacement and souped-up eighteen-wheeler to hunt down the maniacal Highwayman. This debut issue from Al Milgrom and Herb Trimpe isn’t as full-out awful as one might expect.
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Disco singer Alison Blaire teams with superheroes, tries to find a job and wins a sing-off against the Enchantress. Not the historic stinker some recall, but this debut issue by Tom DeFalco, John Romita Jr. and Alfredo Alcala isn’t very good, either.
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Called by a dream, Clea joins the sisterhood of Sibyls in an effort to thwart the Black Oracle prophecy. A pair of stories – including a backup with stunning art from Michael Golden and P. Craig Russell – demonstrate the underlying problem with the Doctor Strange/Clea relationship.
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Morlock flees from dystopic authorities and a greedy mob, turns a rail gang into fungus, then eats a couple people. This ‘70s pop-culture mash-up from writer Michael Fleisher continues, with some above-average art support from Al Milgrom.
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