A pair of short stories from regular Ragman writer Robert Kanigher. The first one, with finished art by the Redondo Studio, is a bit hurried, but the wordless backup story, featuring full art by co-creator Joe Kubert, is quite masterful.
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When a mute, blind orphan witnesses a murder, local thugs once again come to blows with Ragman. Another excellent offering from Bob Kanigher and the Redondo Studio, though the art is better executed than the story this time out.
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Thugs keep looking for more than $2 million in missing loot – but find only pain when encountering Ragman. A fine followup to a great debut, again by the team of Bob Kanigher and the Redondo Studio.
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When his father is murdered, Rory Regan dons a tattered costume to fight for justice in the ghetto – as Ragman! One of the underrated gems of the mid-1970s, from the team of Bob Kanigher and the Redondo Studio, with a little help from Joe Kubert.
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A mishap allows Rac Shade – a former Metan security agent wrongfully accused of treason and murder – to escape to Earth. Comics legend Steve Ditko serves up a winner for DC, with a little help from Michael Fleisher.
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After an extended hiatus, the Teen Titans come back together thanks to a trap by Doctor Light. Following a nearly four-year break from publication, the Titans’ regular series resumes with this sub-par outing from the creative team of Paul Levitz, Bob Rozakis, Pablo Marcos and Bob Smith.
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Brainiac 5’s effort to save a little girl unleashes the terror of Computo on Earth once again! An early – and spectacular – outing from the classic Legion creative team of Paul Levitz and Keith Giffen.
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Tarzan travels to America to reunite with his lost love, Jane – but will he arrive too late? The fitting final chapter of Joe Kubert’s excellent adaptation of Edgar Rice Burroughs’ Tarzan of the Apes.
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Tarzan becomes king of the apes, but realizes he’s a man. More humans – including Jane – come to the jungle. The pacing on this third DC issue is a little off, but, overall, Joe Kubert delivers another excellent issue.
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Joe Kubert’s adaptation of Edgar Rice Burroughs’ “Tarzan the Ape Man” is a tour de force, and Gray Marrow chips in with nice art on the John Carter backup feature.
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