When the relocation of ancient statues puts the Immortals of Cy-Tor at risk, the aliens are forced into action against Batman, Robin and Superman. A snoozy story from Bob Haney has its moments, but bland art from Curt Swan and Al Milgrom doesn’t help this dated affair.
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Aquaman must stop the Marine Marauder, a “lowly marine biologist” who uses air-breathing sea creatures to steal swine-flu vaccine. Steve Skeates story is pretty silly, but Jim Aparo’s art is excellent as usual. Throw in a well-drawn backup story by Mike Nasser and Terry Austin (written by Denny O'Neil) and this is one to pick up for the art.
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Things go from bad to worse as Spider-Man finds himself imprisoned, with Hulk and Woodgod, within the mysterious Tranquility Base. Bill Mantlo’s script is just so-so, but the big draw here is a young John Byrne’s quickly improving art.
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After breaking up a criminal conspiracy on a Gotham subway, Batman recounts the caper for a mystery breakfast guest. The lead story by Bob Rozakis and John Calnan isn’t bad, but it’s not nearly as pretty as the backup feature drawn by the legendary Detective art team of Marshall Rogers and Terry Austin.
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In an alternate universe observed by the Watcher, a young Spider-Man becomes a paid member of the FF. The concept is stronger than the execution, with writer/editor Roy Thomas embracing his inner fanboy, aided by penciler Jim Craig.
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The X-Men emerge victorious from the clutches of Black Tom Cassidy and the Juggernaut … with a little help from leprechauns? While there’s some good things happening in this issue, it ultimately falls short of the lofty standards of the Chris Claremont/Dave Cockrum creative team.
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