The Inhumans battle Shatterstar in New York while a grimmer tale unfolds back in Attilan. Another solid issue from the creative team of Doug Moench and George Pérez.
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The Inhumans battle the Kaptroids, giant robots released from the bowels of Attilan by the Kree. Weak villains and a slow start hurt Doug Moench’s script, but George Pérez’s storytelling is already a treat.
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Maximus’ prophesy of doom is followed by the appearance of a strange machine – and an attack on Attilan by Blastaar! Doug Moench and George Pérez team on this potential-laden series debut.
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The Fantastic Four wake to find themselves living normal lives in a tiny town — at the mercy of Doctor Doom! John Byrne delivers one of the best issues of his five-year run with this twentieth anniversary special, which also includes new material from creators Stan “The Man” Lee and Jack “King” Kirby.
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Rom mistakenly comes under attack by the X-Men, but the heroes soon team to take on the terror of Hybrid. A strong finish to an X-Men two-parter from the Rom creative team of Bill Mantlo and Sal Buscema.
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Spider-Man and Captain Britain wake inside a giant pinball machine and soon must survive the deathtraps of Murder World. A fun Arcade outing with Chris Claremont, John Byrne and Dave Hunt.
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Spider-Man, Vision and the Scarlet Witch find themselves teamed with Doctor Doom to battle the Dark-Rider – in Salem, 1692! Bill Mantlo delivers his strongest chapter yet, again ably assisted by the art team of Sal Buscema and Mike Esposito.
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A “nebbish” named Leonard Tippit is tasked by the Watcher to stop a nuclear holocaust – by executing five innocent people! Hurried pacing and poor characterization make this one a tough read. From the team of Harlan Ellison, Roy Thomas, Rich Buckler and Dan Adkins.
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After babysitting Wundarr, the Thing teams with Captain America and soon finds himself fighting the Badoon in the far-flung future. This Steve Gerber story is a bit of a mess, with solid-but-unspectacular art support from Sal Buscema and Frank Giacoia.
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Infected by a toxin from Morbius’ blood, Spider-Man fights the X-Men – and then must be saved by the mutant heroes. This fairly typical story from Gerry Conway is elevated by the dynamic art of comics master Gil Kane.
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