Ka-Zar vs. Kraven! Dr. Doom vs., well, an assortment of unknown foes and anti-heroes! Nice Bronze Age action by Roy Thomas, with art by two of the best talents from earlier ages: Jack Kirby and Wally Wood.
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Morgan and Tara learn the secret history of Skartaris – but a forgotten subway might make it all for naught! Another greater-than-the-sum-of-its-parts outing from Warlord Mike Grell.
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Morgan’s legion lays siege to the city of Thera in an effort to earn freedom – and rescue Tara from Deimos. The story is a bit rushed and the art a bit scratchy, but, overall, creator Mike Grell delivers another Warlord winner.
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Fleeing the city of Thera, Travis Morgan and Tara find an assortment of dangers in the jungles of Skartaris. Series creator Mike Grell hits the ground running with this fine first issue.
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Captain America and the Falcon are drafted by the government to stop a plot to destroy the United States during the Bicentennial. Jack “The King” Kirby’s return to one of his most famous creations proves to be a lot of fun.
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Scientists from the future send a “murdermek” back to 20th-century Metropolis in an effort to stop OMAC from being born. This story from Len Wein, George Pérez and Pablo Marcos shares DNA with “The Terminator” – a full year before that classic movie’s debut.
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A collection of poetic, sci-fi/fantasy-influenced shorts stories and illustrations by the least mainstream member of the legendary Studio, Jeffery Catherine Jones.
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Returning from the Savage Land, the X-Men soon team with Sunfire in an effort to save an earthquake-stricken Japan. Guest inker Ricardo Villamonte has a notable impact on the usually strong work of regular X-artist John Byrne.
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Red Sonja investigates an ancient temple within the Darkwood and soon finds herself battling an “unhuman horde.” The lead feature by Roy Thomas and Dick Giordano is good, but the reprint backup – featuring art by Esteban Maroto, Neal Adams and Ernie Chan – is the real treat.
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A revolutionary bitten by a snake in a Venezuelan jungle is saved by a woman who may not be human. The story is decent jungle fare, but the art – which most attribute to Nestor Redondo – is quite stunning.
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