Mister Buda’s mystic talisman sends Captain America on a Bicentennial journey through time to experience America’s history first hand. Jack Kirby serves up an enjoyable treasury-format spectacular to celebrate the United States’ 200th birthday.
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Separated from Tara, soon-to-be-Warlord Travis Morgan is captured by slavers and forced to fight in a gladiator arena. Mike Grell’s art outshines his story here, with nice rendering and strong visual storytelling.
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A team of heroes for hire led by former Treasury agent Eric Redd rescue their wealthy, new next-door neighbors. The uncredited lead feature is just OK, but the Mike Mauser back-up by Nicola Cuti and Joe Staton is a treat.
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The astronauts attack the vampires’ dome in a last-ditch effort to save their wives – but are they already too late? Awkward dialogue from John Albano pairs with decent art from Russ Heath to bring Planet of Vampires to a somewhat satisfying conclusion.
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Astronaut Chris Galland and crew convince savage tribes of post-apocalyptic humans to unite against the “blood-sucking dome dwellers.” Not original and poorly scripted, this Atlas (Seaboard) comic from John Albano, Pat Broderick and Frank McLaughlin is still a lot of fun.
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A crew of astronauts returns to find a ravaged Earth split between two groups – human savages and high-tech vampires! This debut issue of Larry Hama’s dystopic future lacks spark, but the art by Pat Broderick and Frank McLaughlin is a strong draw.
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Spider-Man takes the month off as the Human Torch and Hulk team to stop a revenge plot that involves bringing back Blastaar. A fairly weak story by Len Wein gets a major assist from the strong pencils of Gil Kane.
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After losing a battle to the Grey Gargoyle, the Avengers must regroup before tracking him down for a rematch. John Byrne and Dan Green draw a fine Avengers, but this story from Roger Stern and David Michelinie is not on par with the era’s best work.
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While defending against a government attempt to strip their security clearance, the Avengers are called to battle a stony menace. A sagging story by Roger Stern and Steven Grant doesn’t do justice to the excellent art of John Byrne and Dan Green.
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An adaptation of James Tiptree Jr.’s “The Man Who Walked Home” leads off a collection of sci-fi short stories in this ground-level anthology edited by Dean Motter.
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