The Freeman fight to save Carmilla Frost from a strange creature who lives for just 24 hours and must procreate. An off-putting outing from regular Killraven writer Don McGregor with art by P. Craig Russell, Keith Giffen and Jack Abel.
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The Grim Ghost hosts a party for his neighbors, but sneaks out early to send some bad guys to hell. Michael Fleisher and Ernie Colón make the most of this kit-bashed creation.
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Stuntman Jeff Rand is forced to go into action as the Cougar when his brother – a werewolf! – attacks the set. This origin story, by the team of Gary Friedrich and Frank Springer, offers a great surprise ending.
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Intent on tracking down his own killer, Deadman learns a lesson about the cost of vengeance from the Phantom Stranger. A fairly weak story from Arnold Drake gets a nice boost from an early effort by artist Mike Grell.
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Legionnaires headed to a wedding get tossed back through time to ancient Earth, where the encounter Durlans masquerading as gods. A solid-but-flat outing from the creative team of Paul Levitz and Dave Gibbons.
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Duke “Destroyer” Duck travels across nega-space to avenge the death of The Little Guy at the hands of Godcorp, Ltd. Steve Gerber + Jack Kirby + Righteous Anger = A pretty solid debut issue. (All this, plus the first appearance of Groo the Wanderer, too!)
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With Weird Tales of the Macabre, Atlas (Seaboard) was clearly looking to emulate Warren’s Creepy-and-Eerie formula. The short-lived company actually did a pretty good job of it, with nice art here from the likes of Jeffrey Catherine Jones, Pat Boyette, Ernie Colón and others.
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A secret race of Cat People turns Greer “The Cat” Nelson into Tigra, a werewoman who must battle both Werewolf by Night and Hydra. Another winner from Tony Isabella, this one illustrated by the journeymen art team of Don Perlin and Vince Colletta.
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Despite a nice Neal Adams/Bernie Wrightson cover and a pair of tales featuring Jack Kirby art, this collection of reprints from House of Mystery just isn’t very scary. Cool? Yes. Scary? No.
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Killraven and crew seek overnight refuge in a Octo-Tympanum-View-Scope emporium, tripping out and digging some tunes. Don McGregor and P. Craig Russell deliver one of the most pro-recreational-drug-use stories to come out of mainstream comics during the Bronze Age.
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