Stuntman Jeff Rand is forced to go into action as the Cougar when his brother – a werewolf! – attacks the set. This origin story, by the team of Gary Friedrich and Frank Springer, offers a great surprise ending.
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Intent on tracking down his own killer, Deadman learns a lesson about the cost of vengeance from the Phantom Stranger. A fairly weak story from Arnold Drake gets a nice boost from an early effort by artist Mike Grell.
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Legionnaires headed to a wedding get tossed back through time to ancient Earth, where the encounter Durlans masquerading as gods. A solid-but-flat outing from the creative team of Paul Levitz and Dave Gibbons.
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Duke “Destroyer” Duck travels across nega-space to avenge the death of The Little Guy at the hands of Godcorp, Ltd. Steve Gerber + Jack Kirby + Righteous Anger = A pretty solid debut issue. (All this, plus the first appearance of Groo the Wanderer, too!)
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With Weird Tales of the Macabre, Atlas (Seaboard) was clearly looking to emulate Warren’s Creepy-and-Eerie formula. The short-lived company actually did a pretty good job of it, with nice art here from the likes of Jeffrey Catherine Jones, Pat Boyette, Ernie Colón and others.
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A secret race of Cat People turns Greer “The Cat” Nelson into Tigra, a werewoman who must battle both Werewolf by Night and Hydra. Another winner from Tony Isabella, this one illustrated by the journeymen art team of Don Perlin and Vince Colletta.
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Despite a nice Neal Adams/Bernie Wrightson cover and a pair of tales featuring Jack Kirby art, this collection of reprints from House of Mystery just isn’t very scary. Cool? Yes. Scary? No.
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Killraven and crew seek overnight refuge in a Octo-Tympanum-View-Scope emporium, tripping out and digging some tunes. Don McGregor and P. Craig Russell deliver one of the most pro-recreational-drug-use stories to come out of mainstream comics during the Bronze Age.
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Following World War II, twin infant brothers – one good, one scarred – are raised in a monastery and trained in the fighting arts. There’s nothing shockingly original here as writer Ed Fedory and artist Jim Craig team for a kung-fu tale typical of the era.
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When a young girl plunges to her death, Tigerman tracks down those who traffic in runaways and extracts bloody revenge. This first appearance of Tigerman by John Albano and Ernie Colón kicks off a solid but unspectacular B&W anthology magazine from Atlas (Seaboard).
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