Storm, Kitty and friends head out for a night on the town and end up facing off against Caliban instead. This transition issue from the regular creative team of Chris Claremont, Dave Cockrum and Joe Rubinstein delivers some excellent character moments.
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The X-Men escape the clutches of Doctor Doom only to find themselves facing a crazed, out-of-control Storm. Chris Claremont dives into familiar thematic waters, with strong art support from Dave Cockrum and Joe Rubinstein.
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The main X-Men team has been imprisoned by Doctor Doom while an X-adjacent squad attempts to infiltrate Murderworld. This story is not Chris Claremont’s strongest but the new art team of Dave Cockrum and Joe Rubinstein are settling in.
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Drawn into conflict with Doctor Doom by Arcade, the X-Men call in reinforcements to rescue their loved ones. Dave Cockrum, the co-creator of the all-new, all-different X-men, returns for a second stint as penciler of Marvel’s favorite mutants.
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While working on a fishing trawler in Florida, Scott “Cyclops” Summers crosses paths with Man-Thing and the demon D’Spayre. The Uncanny X-Men get off to a slow start as life without John Byrne begins.
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Bad science and other silliness undermine what should have been a promising superhero anthology. Only the Neal Adams cover and some above-average Batman art from Michael (Nasser) Netzer save this one from being a total stinker.
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Power Man, Iron Fist and Machine Man scramble to recover a computer “super-circuit” stolen by the Hulk. A ho-hum affair by Roger Stern, Herb Trimpe and a host of inkers.
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After an extended absence, Warlord finally makes his way back to Tara – only to find Shamballah under siege from within! Mike Grell’s story is a bit overstuffed but the art – inked by Joe Rubinstein – is quite nice.
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On a suddenly stormy night, Ghost Rider finds himself in a series of motorcycle races against Death himself. A slight, done-in-one tale executed with artistic verve by Jim Starlin, with a little help from Steve Leialoha and friends.
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In the lead story, Batman and Ragman team to stop a criminal organization that preys on the poor. Writer David V. Reed delivers a nice, tight tale, but Michael Golden’s artwork steals the show.
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