John Targitt falls prey to Professor Death’s nerve gas, but ultimately assumes a new identity as the more powerful Man-Stalker. A confusing script undermines a tonal shift that is well served by stylish art from cartoonist Howard Nostrand.
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Wulf and Rymstrydle discover unexpected conditions in the Iron Citadel where they end up battling a mechanized colossus. The new creative team of Leo Summers and Steve Skeates take the barbarian on a different sort of adventure.
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Haunted by the murder of her roommates, Liza Warner attends police academy and becomes … Lady Cop! A real stinker of a comic, from the team of Robert Kanigher, John Rosenberger and Vince Colletta.
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The Thing and the Black Widow team to stop terrorists from setting off a tidal wave with a massive bomb. A thoroughly competent outing from the team of Chris Claremont, Bob Brown and Klaus Janson.
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Morlock joins forces with a burned-scientist-turned-rebel-leader in a revolution against the Thought Police … but is it too late? New writer Gary Friedrich continues this series’ mashup weirdness, but the real fun here is the art collaboration between comics legends Steve Ditko and Bernie Wrightson.
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A “hitherto undiscovered bacterial force” “activates” algae and turns a washed-up Olympic swimmer into Man-Monster. Yes, this uninspired origin story by Tony Isabella, Rich Buckler and Mike Vosburg is as bad as it sounds. But the backup tale – featuring art by Enrique Badía Romero – is decent.
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In the not-too-distant future, Captain Canuck must thwart an invasion of world superpower Canada by a group of underground Communists. Richard Comely’s labor of love swells with Canadian pride but is brought down by its amateurish art.
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A team of heroes for hire led by former Treasury agent Eric Redd rescue their wealthy, new next-door neighbors. The uncredited lead feature is just OK, but the Mike Mauser back-up by Nicola Cuti and Joe Staton is a treat.
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The astronauts attack the vampires’ dome in a last-ditch effort to save their wives – but are they already too late? Awkward dialogue from John Albano pairs with decent art from Russ Heath to bring Planet of Vampires to a somewhat satisfying conclusion.
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A local police chief wants the Brute dead. Wait. No. No, he doesn’t. Oh. Stop. Yes, he does. Also: supervillain. This final issue is a mess of stereotypes masquerading as a story, from the team of Gary Friedrich, Alan Weiss and Jack Abel.
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