Separated into two (or maybe three?) forms, a cloned Luther Manning starts chronicling the adventures of Deathlok. A pair of confusing stories from Rich Buckler and Keith Pollard wrap up the character’s run in Astonishing Tales.
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A mysterious government agent enlists Spider-Man’s help in solving a murder while Spidey also pursues Doctor Octopus. This annual features top-shelf art from John Byrne and Terry Austin but the story, by Marv Wolfman, leaves questions unanswered.
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Deathlok battles human drones in abandoned subway tunnels while Mike Travers frees Nina from Maj. Ryker. Rich Buckler is joined by Bill Mantlo and a “whole blame Bullpen” of artists, but this story simply idles in place.
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Deathlok is confronted by former friend Mike Travers, then the cyborg antihero resumes his quest to regain his lost humanity. The short lead feature by Rich Buckler and company is padded out by a fun Stan Lee/Gene Colan reprint.
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After losing a potential ally, Deathlok remains on the run from Maj. Simon Ryker’s soldiers and “supreme death-machine.” After a one issue absence, Rich Buckler’s Deathlok returns to Astonishing Tales (with some creative help from Doug Moench, Keith Pollard, Arvell Jones and Al McWilliams).
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As Captain America lies dying, the rest of the Avengers find themselves the target of the Assassin’s evil plot. Tony Isabella brings his unexpectedly strong two-parter to a surprise conclusion (or two), with less-than-sterling art (mostly) from Don Heck.
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An astronaut mutated by cosmic radiation traps Killraven in a nightmarish version of the pre-Martian-Invasion past. The Dreaded Deadline Doom brings this solid fill-in issue from the team of Bill Mantlo, Keith Giffen and Al Milgrom.
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