This Charlton house magazine from Bob Layton’s CPL/Gang Publications features The Question by Roger Stern, Michael Uslan and Alex Toth, and Doomsday +1 from John Byrne. If only Charlton’s regular lineup was that good!
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Topo the octopus runs off with Aquababy; Aquaman pursues, but winds up battling Starro the Conqueror instead. Weak villains bring down the story, written by David Michelinie, but the art by Jim Aparo is strong. (The J’onn J’onzz backup feature, drawn by Mike Netzer and Terry Austin, is pretty, too.)
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The Weather Wizard steals an experimental “vibrojector” to use against the Flash, but ends up battling Aquaman instead. David Michelinie comes onboard as writer, but Jim Aparo’s art (as well as Mike Netzer and Terry Austin’s art on the J’onn J’onzz backup feature) is the real draw here.
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Aquaman must stop the Marine Marauder, a “lowly marine biologist” who uses air-breathing sea creatures to steal swine-flu vaccine. Steve Skeates story is pretty silly, but Jim Aparo’s art is excellent as usual. Throw in a well-drawn backup story by Mike Nasser and Terry Austin (written by Denny O'Neil) and this is one to pick up for the art.
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A Vietnam veteran returns home with a secret – drug addiction! Will his love stand by her man? The lead story is an enjoyable-enough relic of its times, but it’s the Alex-Toth-drawn backup feature that makes this issue a winner.
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Bad science and other silliness undermine what should have been a promising superhero anthology. Only the Neal Adams cover and some above-average Batman art from Michael (Nasser) Netzer save this one from being a total stinker.
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An interesting assortment of DC B-listers – Doctor Fate, the New God’s Lightray, and Black Canary – get the secret-origin treatment. While lacking a little drama, this issue features an interesting mix of artists, led by pencilers Joe Staton, Don Newton and Mike Vosburg.
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The Science Investigation Agency accidentally opens an interdimensional rift, gaining a powerful ally who can help them protect the environment. Neal Adams’ ham-handed environmental message mars a dynamic return to interior pencil work.
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