A pair of law enforcement tough guys – the NYPD’s Sam Lomax and cop-turned-P.I. Luke Malone – blow away bad guys with Magnums. Gary Friedrich serves up two crime stories long on silly and short on grit, while the work of artists Mike Sekowsky and Mike Ploog suffers from unsympathetic inking.
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Princess Diana inspires some of history’s greatest heroes to help the Amazons repel Ares’ invasion of Paradise Island. This issue reprints a surprisingly epic adventure from Wonder Woman #183-184, crafted by writer/artist Mike Sekowsky.
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When an evil sorcerer threatens Stanhope College, Supergirl turns to Wonder Woman and Morgan LeFay’s daughter for help. Supergirl gets a new look and a new direction from writer/artist Mike Sekowsky.
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When Bruce Wayne becomes the target of a murderous race-car driver, Batman takes the wheel – with an assist from Diana Prince. This Mike Sekowsky story hasn’t aged well, but it’s still fun as a product of its time.
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Starker, a space bounty hunter, leaves his pleasure-satellite vacation to pursue three pirates to the planet Pheidos. This weird mix of dated tropes gets a boost from the strong pencils of writer/artist Mike Sekowsky.
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The Brute stows away on a plane, kills some innocent people, then is enslaved by a mad scientist. A bland cocktail of B-movie tropes from the team of Michael Fleisher and Mike Sekowsky.
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A prehistoric sub-human frozen in ice emerges eons later to bring death and destruction to a Minnesota town. A stinker of a debut from the usually interesting talents of Michael Fleisher and Mike Sekowsky.
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Linda “Supergirl” Danvers moves to San Francisco to start a new job – unfortunately, with Lex Luthor’s niece in tow. Writer/artist Mike Sekowsky brings some Marvel-style continuity to the maid of might.
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A poor-man’s trio of EC-inspired tales from writers Russ Jones and Jack Younger and artists Jerry Grandenetti and Mike Sekowsky.
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Ironjaw saves a wench – to use for his own “companionship” – but the duo falls prey to betrayal and royal intrigue. Despite its preponderance of barbarian clichés and over-the-top sexist dialogue, this relic of the ’70s is still strangely enjoyable. Michael Fleisher, Mike Sekowsky and Jack Abel are to blame.
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