Doctor Spektor seeks help with his werewolf curse but winds up trapped and facing off against the Frankenstein Monster. Doctor Spektor serves up pulp horror from the team of Don Glut and Jesse Santos.
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The mysterious Eric Dante promises unlimited power for the world – but is his offer too good to be true? This bland lead feature is joined by an equally meh backup. Both are written by Roger McKenzie, with art by Dan Spiegle and Frank Bolle.
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Dr. Spektor and his secretary, Lakota Rainflower, head to Transylvania to investigate rumors about a vampire known as Baron Tibor. A promising debut issue from Gold Key and the creative team of Don Glut and Jesse Santos.
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John Targitt falls prey to Professor Death’s nerve gas, but ultimately assumes a new identity as the more powerful Man-Stalker. A confusing script undermines a tonal shift that is well served by stylish art from cartoonist Howard Nostrand.
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Sgt. Stryker and company race to get a one-star general back to HQ with some important intel about the African front. Another solid lead story by Archie Goodwin and Al McWilliams, but the real treat here is the striking backup tale showcasing art from master cartoonist Alex Toth.
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The Destructor heads to New Mexico in pursuit of a mob boss, but ends up battling Deathgrip instead. Another winner from an all-star creative lineup of Archie Goodwin, Steve Ditko and Wally Wood.
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Wulf and Rymstrydle discover unexpected conditions in the Iron Citadel where they end up battling a mechanized colossus. The new creative team of Leo Summers and Steve Skeates take the barbarian on a different sort of adventure.
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An “Alice in Wonderland” riff, a surreal quest and a tale of interplanetary war: Anomaly #4 is an interesting underground featuring work from Jan Strnad, Richard Corben and Bob Kline.
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Samson and company head up the Huz’n in a river boat, visit the Met Cloisters and fight a radioactive unicorn. A gorgeous George Wilson cover fronts this rather bland outing from the creative team of John Warner and Jack Abel.
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A pair of law enforcement tough guys – the NYPD’s Sam Lomax and cop-turned-P.I. Luke Malone – blow away bad guys with Magnums. Gary Friedrich serves up two crime stories long on silly and short on grit, while the work of artists Mike Sekowsky and Mike Ploog suffers from unsympathetic inking.
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