A police officers efforts to stop a gang of graffiti artist’s is thwarted by a demon. This short, dialogue-free tale from Joey Cavalieri and George Pérez leads off a solid collection of fantastical short tales.
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One of the Bronze Age’s key indie publishers gets off to a shaky start with this collection of amateurish B&W stories. Of the four, only Vince Argondezzi’s Mister Justice is within shouting distance of professional.
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Moro Frost “dies” in World War II, but the Scorpion lives on to battle the Golden Fuhrer in 1975. Not horrible, but this revamp by Gabriel Levy and Jim Craig pales in comparison to Howard Chaykin’s version of the Scorpion.
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A surprise visit from an old acquaintance sees E-Man recollecting his earliest days on Earth. This final issue is an uneven finish to a strong run of comics from the classic E-Man team of Nicola Cuti and Joe Staton. Also featuring Rog 2000 from a young John Byrne.
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E-Man and Nova team with the U.S. military to help bring down the scheming Genius One. Another fun outing from E-Man creators Nicola Cuti and Joe Staton. Also: John Byrne’s Rog 2000 returns.
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The hunt for the Boar takes E-Man to the center of the Earth – and charges Nova into a super-powered future! Nova levels up in this full-length adventure from the creative team of Nicola Cuti and Joe Staton.
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A foe from E-Man’s past returns, this time sporting the ability to change E-Man into fictional monsters. Another winning issue of the surprising E-Man series, by the regular creative team of Nicola Cuti and Joe Staton. Plus: More Rog 2000 by John Byrne!
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The Brain returns, but Nova and E-Man uncover their arch-villain’s nefarious plot during their visit to a Wunderworld amusement park. Nicola Cuti and Joe Staton’s E-Main continues to be a comic series like no other. Also: Rog 2000 by John Byrne!
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A Vietnam veteran turned washed-out roller-derby star is inspired by his girlfriend’s murder to become Skateman. Neal Adams’ creator-owned hero anchors what might be the most shockingly bad comic book of the Bronze Age.
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Broadcast journalist Jon Athens wallows in an emotional funk as he covers a local political event involving The Masked Man. B.C. Boyer’s strong visual storytelling can’t save this debut issue’s subpar script.
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