Members of the Justice League somehow get pulled to Earth-Prime, where they come to the aid of that world’s first superhero. Logic leaps and other story execution problems hinder this outing by Gerry Conway and fill-in artist George Tuska.
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The entire might of the Justice League of America combines to stop a plot by their one-time sidekick and the villainous Key. The villains are the weak link to this tale written by Steve Englehart and drawn by longtime JLA penciler Dick Dillin.
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Still trying to return to his present, Spider-Man ends up in another dystopian future – Deathlok’s 1990 New York! Bill Mantlo brings his time-travel six-parter to a close with this serviceable done-in-one, drawn by the team of Sal Buscema and Mike Esposito.
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The fingerprints of Charles Dickens are all over this DC reprint digest, as the Victorian author’s classic tale serves as inspiration for more than one story. (Except for Jack Kirby’s Bronze Age Sandman adventure, of course, a story widely distributed for the first time in this issue.)
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When the relocation of ancient statues puts the Immortals of Cy-Tor at risk, the aliens are forced into action against Batman, Robin and Superman. A snoozy story from Bob Haney has its moments, but bland art from Curt Swan and Al Milgrom doesn’t help this dated affair.
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A “nebbish” named Leonard Tippit is tasked by the Watcher to stop a nuclear holocaust – by executing five innocent people! Hurried pacing and poor characterization make this one a tough read. From the team of Harlan Ellison, Roy Thomas, Rich Buckler and Dan Adkins.
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When villains from different universes team up, Superman and Captain Marvel require an assist from the extended Marvel Family. Writer Roy Thomas is having a great deal of fun here – perhaps more so than some readers – and receives strong art support from Rich Buckler and Dick Giordano.
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Deathlok faces off with Maj. Ryker in a virtual reality “Mind-Lock,” then attempts a mind transference to a clone. This visually strong series – by Rich Buckler, Bill Mantlo and Klaus Janson – continues to be overwhelmed by a plethora of concepts.
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After being damaged by Hellinger’s explosive, Deathlok is rebuilt by the CIA and sent back on the hunt for Ryker. The creative team of Rich Buckler, Bill Mantlo and Klaus Janson serve up a visually striking story that’s overstuffed with plot elements.
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Deathlok’s quest to restore his humanity brings him to Maj. Ryker’s brother Hellinger and a Luther Manning clone. New inker Klaus Janson improves the look of this series but it’s still unclear where plotter/artist Rich Buckler is trying to take the story.
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