Doctor Spektor seeks help with his werewolf curse but winds up trapped and facing off against the Frankenstein Monster. Doctor Spektor serves up pulp horror from the team of Don Glut and Jesse Santos.
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The mysterious Eric Dante promises unlimited power for the world – but is his offer too good to be true? This bland lead feature is joined by an equally meh backup. Both are written by Roger McKenzie, with art by Dan Spiegle and Frank Bolle.
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Dr. Spektor and his secretary, Lakota Rainflower, head to Transylvania to investigate rumors about a vampire known as Baron Tibor. A promising debut issue from Gold Key and the creative team of Don Glut and Jesse Santos.
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Samson and company head up the Huz’n in a river boat, visit the Met Cloisters and fight a radioactive unicorn. A gorgeous George Wilson cover fronts this rather bland outing from the creative team of John Warner and Jack Abel.
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With the help of worker robots, a scientist and his son survive an environmental apocalypse to wake in the future. This toy tie-in by Len Wein and Jack Sparling is unexceptional as comic-book entertainment but still ahead of its time.
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Samson and friends encounter survivors living in the ruins of the N’Yark Macy’s who worship pre-disaster Givingthanks Day Parade balloons. Goofy, post-apocalyptic fun from the creative team of Arnold Drake and Jack Abel.
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A hodgepodge of reprints repackaged to look like a horror comic, this issue is largely a bland affair. While most of the work is uncredited, the lead story – featuring the debut of Tragg – offers stylish art by Jesse Santos.
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Tragg has to save a Sky God defector from her own people – and from a monstrous “devil shark.” A lack of back story makes this tale from Don Glut and Dan Spiegle a tough nut to crack.
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Captain Johner’s hostile encounter with aliens leads to a crew exchange and – perhaps – a better understanding of each other. This collection of interconnected, Silver-Age reprints are simplistic but feature the excellent polished art of Russ Manning.
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The odd, one-and-done title from Whitman offers little in the way of either entertainment or credits. Still, it’s a competent and not-altogether-disappointing comic.
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